Archives for the month of: May, 2011

You may recall an article I wrote earlier this year about Tally Hall. You may also recall how tumultuous a time they seemed to be having. Well boys and girls, here you have it. They have resurfaced, and they are more alive than ever! In the past month, Tally Hall’s Facebook page has become active again, along with their website, Twitter, and fan site. Their new and upcoming album, titled Good & Evil, looks to be the comeback they need to re-enter the music world after their long hiatus.

BY ASHLEY HEFNAWY

You and Me

[audio http://campusounds.files.wordpress.com/2011/05/03-you-me.mp3]

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Tally Hall has something most bands don’t have: a color scheme incorporated into their appearance, (see: ties). But in reality, what set them apart in their first album, (Marvin’s Marvelous Mechanical Museum) was how much fun they seemed to have both lyrically, and rhythmically.  Their sound was extremely fun, and different from anything out there. Often times, it’s difficult for a band to play around with a fun sound, because they run the risk of sounding corny. That is not the case with Tally Hall. Equipped with all normal components of a band, (guitars, bass, keyboard, and drums) Tally Hall plays around with rhythm and vocals in a way that is almost always sure to make you groove in one way or another.

Good & Evil is a collection of intuitive, unique, and delicious tracks. There are highs and lows. And I don’t mean high points and low points, I mean songs that make you feel high and giddy as ever, and then songs that bring you back down to earth to deal with reality. While these tracks may not have the same zaniness we heard in Marvin’s Marvelous Mechanical Museum, they do present a very organized, well-rehearsed sound that Tally Hall will forever be known for.

The last time we heard from Tally Hall, they were still in the middle of, for lack of a better word, a large musical pickle. There was definite hope for their future, but there was uncertainty. After listening to this album, there’s not a doubt in my mind that Tally Hall will make the long anticipated comeback that we’ve all been waiting for.

I want to say that all of my favorite tracks on the album have a similar dancey sound, because that is what I’m usually prone to choosing as favorites. However, with Good & Evil, this is not the case. Never Meant to Know introduces the album with a solid guitar beat that lures us in with a sweet story-song, lyrically. It makes me happy to know that while their sound has changed a little,(more composed and unified) their lyrics still stay true to their storytelling ways. There is a lot of poetry in their music, making it fun to listen to because their songs are often times up to your own interpretation.

A couple of my other favorites include Cannibal, which is a straight up dance tune about a crazy woman lover. Hymn for a Scarecrow is another poem in my opinion, laced with acoustic guitar and beautiful but bold underlying bass lines. A Lady graces the ear shortly after with a soothing harp transition, which eventually calls out to the album title, Good & Evil. Turn the Lights Off and Misery Fell are all-time favorite tracks off the album. They embody the quintessential Tally Hall sound that we’ve all fallen in love with from the beginning: a cute singer (vocally and visually) paired with quick rhythms and sexy bass. Misery Fell is totally Beatles inspired though, which I would normally consider overdone, but it happens to work really well in this scenario.

Good & Evil is set to release on June 21st in all formats: digital, CD, and limited edition deluxe vinyl. I know that I’ve urged you all to go out and support all sorts of bands, but I think we can all come to agree that Tally Hall deserves your support. And, guess what else? They’re going on tour this summer. So check them out wherever is most convenient to you, because they’ll be all over.

For more info about Tally Hall and when they’re in your town, follow them on Facebook, or check out their website!

Summer. The temperature’s starting to rise in New York City, and it’s finally safe to say that it’s officially the season for bike ride’s, ice cream, short skirts, cold brews and a couple of rooftop parties. And of course, let’s not for get the long awaited string of music festivals across the nation. Now, while most of us college students are busy scraping up a few shekels so that we may attend one of these amazing festivals, Miles Arntzen decided to deny conventions and get busy creating a fest of his own.

http://www.musicfreesallfestival.com

“Music has the power to move people, to make people smile and dance in hard times. Dancing is an important release from everyday life, a way for the body and the mind to be free. Music that can move people’s feet, – funk, afrobeat, soul, hip hop, reggae – will never die away. The Music Frees All Festival will bring together these bootyshakers and groovemakers to celebrate music, dancing and life. Yeah yeah!” – Miles

Standing in front of the famous “Coffee Shop” off of Union Square, I scan the crowd looking for a guy I’ve never met before. Then, a young man no older than 20 years of age finally walks up to me. “Kris? Hey, I’m Miles.” This is the guy (who happened to be turning 20 that very day) that had the vision, brains, plan and know-how to put together this elaborate 3-day festival?? I was already floored.

We finally find a spot to sit down in Washington Square Park, and a man (that somehow wheeled an upright piano into the square) supplies us with a soundtrack for the interview.

In My Life by the Beatles,” Miles says. “Really hits home for me.”

Growing up literally two blocks from Washington Square Park, Miles has been a New Yorker his whole life. “I’ve been going out seeing and playing music around the city for a while,” he tells me. “So it was easier getting venues because I was already gigging there. I’ve also just been enraptured by the whole process of booking gigs, playing gigs…I love getting gigs…just, gigs. I guess this was a natural next step.”

Now a student at NYU, Miles finds inspirations like this one striking him while in class. “I was in my aural comprehension class,” he recalls, “and my mind started wondering yet again, and it just came to me. It wasn’t some big process. I thought of the name first because I love the idea of music having the power to free everything that you have going on at the time; and dancing has the power to let out your emotions. So, I just wanted to bring together the bands that do that…at least for me.

All of these amazing young bands span across a variety genres such as Afrobeat, Soul, Funk, and Reggae. But the one thing they all have in common is that they’ll have you moving from the first beat.

Putting all of this together was no easy feat, and surely Miles had plenty of help, right? Nope.

“When I say ‘we,’ it’s kind of like the royal ‘we.’ To be honest, it’s been pretty much just me doing the work. There are definitely a couple of friends of mine that are helping me get the word out. But in terms of putting the thing together, it was just me pretty much. Now that I’m ready to get the word out, that’s when I could really use everyone’s help.”

In addition to enjoying the amazing music each night, Miles wants to make sure that everyone is aware that the third night will also serve as a fundraiser for the Scotty Hard Trust. After a car crash left producer Scott Harding completely paralyzed from the waist down, a number of organizations have made an effort to create a community feeling around him, and that feeling inspired Miles. “What I love about Scott is his amazing personality and warm spirit. So, I wanted to bring that feeling to the festival. That night is going to be a special night. I’ve got Medeski Martin coming to play, and EMEFE [the band that Miles is a member of himself] is going to play with a few special guests. I’m definitely really excited for that night.”

So what’s next for the festival? “Maybe it’ll be twice a year. I haven’t really thought about it. Definitely every year. This is just kind of the starting point. It can only get bigger from here. I like the idea of a homemade festival. Simple. No BS. Just putting bands up and getting people to go and see them. That’s really what it’s all about. I think it’ll be successful. I just want to create a good feeling for three nights.”

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CHECK OUT THE LINEUP:

WEDNESDAY JUNE 1ST – OPENING NIGHT @ SOUTHPAW – FEAT. Turkuaz, Melanie Charles, Top Shotta, Super Osei + DJ Cool Hand Luke – 125 5th Ave in Brooklyn – 7:30pm doors, $5 cover

 

THURSDAY JUNE 2ND – HORNS TAKE OVER @ PUBLIC ASSEMBLY – FEAT. Ikebe Shakedown, Gato Loco, Underground System Afrobeat, BK Soul Survivors + DJ Petra – 70 N 6th St in Brooklyn – 7:30pm doors, $8 cover

 

FRIDAY JUNE 3RD – BENEFIT FOR SCOTTY HARD @ DROM – FEAT. John Medeski/Billy Martin, EMEFE, Ben Perowsky/TK Wonder, Nyle vs Naysayers, Mokaad + DJ Afro-Marc – 85 Ave A in Manhattan – 7:30pm doors, $10 cover

Check out the new and beautiful voice of U.C.L.A graduate, Alex Isley on her new single “Don’t Do” [soundcloud url="http://api.soundcloud.com/users/4472589"]