Archives for the month of: June, 2011

As a young musician trying to make it in New York City (or in any city for that matter), it always feels like a race to get to the top. Competing for this gig, auditioning for this spot – it’s a never-ending struggle. But at Mason Jar Music, the mantra is very much the opposite of the “every man for himself” mentality. At MJM, it’s all about putting together the brightest young talents, from filmmakers to orchestrators, and creating a collective that will produce outstanding work, and showcase everyone’s talents.

BY KRIS BOWERS

Graduates of the Clive Davis Department of Recorded Music at NYU, Jon Seale and Dan Knobler have always had a passion for producing records. Even prior to their graduation, Jon and Dan were already keeping themselves busy with a number of projects, ranging from records for bands to film scores, each involving a number of talented student composers, engineers, musicians and arrangers.

“We sort of had this idea that rather than all being a bunch of individual freelancers who can only take the gigs within our specific skillsets,” Dan explained, “if we amalgamated ourselves and put ourselves under one name and one reputation, we could probably end up getting more and larger profile work as a collective, rather than as individuals.”

So, just like any other new family looking to have room to grow, the guys began searching for a house to move into together. Finally settling down in Kensington, BK, nine guys that make up the core members of the team, moved into a house where they were able to set up a recording studio and film editing facilities.

Along with record production, engineering, arranging, music for picture, and live event filming, Mason Jar Music is creating a buzz for their unique take on the music video.

“Our main project that we’ve been working on for the past year is called Mason Jar Music Presents,” Jon explains, “and it’s just a way to synthesize all of the things we do: recording, producing, engineering, filming, arranging, editing, all that type of stuff.”

Watching an MJM Presents video is like having a backstage pass to a private concert. As you follow the artist into the space, you’re aurally surrounded with the musicians warming up for the performance. The narrative quality of the cinematography draws you in and creates a casual atmosphere as you get a behind the scenes look at the rehearsal and playful banter amongst the musicians. However, from the very moment the first note sounds, there’s nothing laid back about the quality of the performance. In the Josh Garrels video for example, you can almost see the deep-seated passion pouring from his mouth with every lyric, and the intense focus of the musicians as they execute the piece flawlessly.

“As far as realizing our own vision, that was our first successful video,” Jon says as he recalls working on the Josh Garrels piece. “That was the first time we felt like we had finally created what it is we set out to create, and realized exactly what we’re trying to do.”

Another aspect of the MJM Presents series that makes them so unique is their “found spaces” concept. “None of the episodes are done in studios or traditional performing spaces,” Jon explains.

“That’s the first time we haven’t mentioned that right off the bat,” Dan says humorously.

“So for example,” Jon continues, “we did one in an abandoned office building. We also did one in an old elementary school.”

“Yea, the school that had been shut down,” Dan recalls. “There were these abandoned classrooms with school chairs everywhere, and we could just create this really beautiful environment. We also just did one in an interior designer’s vintage furniture warehouse. That was really cool.”

As far as getting access and clearance to use these hidden gems…let’s just say the guys have their ways.

“Um…It’s complicated,” Dan says with a smirk.

“Yea, sometimes it’s a bit under the radar,” Jon says.

“I mean we’ve never broken into a space, but we’ve definitely gotten approval from someone that doesn’t necessarily have the ability to give us approval,” Dan explains.

Preparing for one of these videos is a process unique to each piece. The first step is deciding on an artist to reach out to, or having an artist come to them. The important thing is starting with a piece that has room for augmentation, and an artist that’s open to this collaborative experience. That way, one of the MJM composers can arrange something for a larger ensemble that will accompany the song, and allow it to fit right in like the last piece of a puzzle.

Even the space itself is chosen based on the lyrics of the song. “We try to find a space that really matches the aesthetics of the song, and the message and emotional content of it,” Dan says. “It’s really challenging and complicated, but I think it makes for even more powerful videos.”

“And were always looking to work with talented people,” Jon says. “So anyone can feel free to contact us. Whether they’re an orchestral player looking to work on one of the sessions, or an artist looking to have a video done, we’re always looking for more people to work with.”

Oh, and Dan’s girlfriend does the catering, so between the good food, good company, and amazing music, who could say no.

Right now, Mason Jar Music is in the middle of a big Kickstarter campaign in order to raise money to develop more episodes. Click HERE to help them reach their goal! Also, feel free to visit their website at, www.masonjarmusic.com

The Lee Morgan Story (feat. Christian Scott and John Robinson)

[audio http://campusounds.files.wordpress.com/2011/06/03-the-lee-morgan-story-feat-christian-scott-john-robinson.mp3]

Go download Ben Williams’ State of Art  today on iTunes

In the past couple of weeks, Dan Nallen has been greeted by an overwhelming amount of online attention in the blogosphere. While many believe that the mash-up DJ phenomenon has been overdone, I have to admit I totally dig D.a.N‘s sound. Yes, it is a little similar to Girl Talk, but he uses samples that are not as commonly used. I’m going to admit something that’s actually a little embarrassing though, mostly because I’m sure no one else remembers this…the first time I heard Dan’s sound was one summer in high school. We were at a friend’s house in the basement, and at one point he took over DJ duties, only to surprise us with some hilarious but totally rad mash-ups of what I think was Lion King music. I kind of knew at that point that Dan was not just dabbling in being a mash-up music artist.

BY ASHLEY HEFNAWY

Re¡ntroduct¡on

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Don’t Stop

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The mastering of mash-ups is one that can easily be achieved by many. However, to actually be good, is another story. Dan Nallen, a 20-year old Boston College attendee, was first introduced to the art of mash-up music in a magazine called Transworld Snowboarding.

“I had grown up playing instruments, (violin, guitar, and a brief stint with steel drums) so I always considered myself to have an ear for music. Plus I seem to be able to store a pretty big music library in my head, so I always have a few songs floating around at any given time,” Dan said.

That’s a great skill to have especially if you’re a mash-up DJ. My trouble with mash-ups, is that there’s only so many combinations that a DJ can put together, due to time signature constraints and such. While I can imagine the art of putting two or three songs together to make one funky dance tune is relatively self-explanatory, Dan filled me in on a little food for thought.

“As I began, I learned about all the different types of mash-ups out there so I had to hone in on one of the sub-genres and try to make my own sound. In the words of Girl Talk, my sound can be considered ‘collage-music.’ Unpredictable and in your face,” Dan said. “My songs are extremely ADD and rarely have breaks. I find that this style keeps the listener active and always guessing which is something that you rarely find in pop music which seems to be very cookie cutter-esque nowadays…I would call my sound-in-progress, audio-synthesis.”

This is why I love interviews. I end up walking away with so much knowledge about something I probably had no previous knowledge of. Dan explained that for him, the song making process was just as surprising to him as it was for someone listening to it for the first time. When he created the first song, “Re¡ntroduct¡on” off his new album, Audiosynthesis, he wanted everyone who heard it to know that he was back, while simultaneously reintroducing his style to listeners.

Dan’s inspirations can be found everywhere, but the few that he named included Michael Jackson, Kanye West, Girl Talk, and many of the current DJs and producers who are big on the scene.

“I love to hear how other artists hear songs and cut them up and remix them. I guess my influences reflect my musical ADD that plays into my songs,” Dan said.

I gave Audiosynthesis a listen for the first time a couple weeks ago, and I was an instant fan. Maybe it was because I had already been a fan of his since the first album, but I have to admit, one thing totally won me over:

The sampling of Dave Matthews mixed with Twista. I mean, I’m a huge Twista fan in general, and then mixed with the violin and greatness that is Ants Marching…there’s basically no way you can go wrong. But I’m honestly playing up this whole curiosity card, because I know you’re totally curious right now! You are. And I want you to be. So give D.a.N a listen, you’ll dig it I promise. It’s just toe-tapping awesomeness.

You can download a copy of D.a.N’s latest album, Audiosynthesis HERE. And if you like that, then you should totally check out his first collection of mash-ups, Weapons of Mash Destruction.

Feel free to add him on Facebook, which is usually updated whenever he has some cool new music to share.